East Zealand Museums
About us
TASKS
Østsjællands Museer is a state-recognized museum that works with modern cultural history and geology.
The limestone country is our overall theme, which encompasses the natural and cultural history of the area where the limestone lies close to the surface. Within this theme, the Cold War fortress Stevnsfort, which is buried in the limestone, has a prominent place.
The museum collects, registers, preserves, researches and disseminates within the thematic and geographical
delimitation, cf. section 15 of the Danish Museum Act.
Ownership
Østsjællands Museer is an independent institution. The museum receives fixed operating grants from Stevns and Faxe municipalities and from the state.
Østsjællands Museum runs the exhibitions:
KALK - DIG INTO THE PRE-HISTORIC
FORT - A COLD WAR EXPERIENCE
and communicates Stevns Klint World Heritage
Area of responsibility
Østsjællands Museer is responsible for modern cultural history for the municipalities of Stevns and Faxe and the geological responsibility for Stevns, Faxe, Vordingborg, Køge, Greve and Solrød municipalities.
Collecting, research and communication take place within the museum's geographical, temporal and thematic boundaries.
The museum's collection concentrates on the geology and cultural history of Kalklandet, including the Cold War fortress Stevnsfort.
Bylaws
Read Østsjællands Museer's statutes in accordance with relevant laws and executive orders: Statutes Østsjællands Museer
The Articles of Association were last updated in December 2018.
DIRECTION
Ilse Sørensen, Acting Director of East Zealand Museums, email: is@oesm.dk
OTHER ADMINISTRATION
Jesper Milán, Curator, KALK, email: jesperm@oesm.dk
Anders Knudsen, Curator, FORT, email: ak@oesm.dk
Pil Mørch, responsible for teaching, mail: pm@oesm.dk
Katrine Raahauge Damkjær, Press and Communications Manager, email: krd@oesm.dk
Rikke Lago, Sales Manager, email: rl@oesm.dk
Aviaja Lorenzen, administrative, mail: al@oesm.dk
Annette Hristogiannis, Store Manager Geomuseum Faxe, email: ah@oesm.dk
Ole Lykkegaard, operations employee, mail: ol@oesm.dk
Jes Johnsen, operations employee, mail: jj@oesm.dk
Lars Hoffbeck, operations employee, mail: lho@oesm.dk
BOARD OF DIRECTORS
PRESIDENCY
Acting chairman:
Martin Steen Andersen, Attorney at Advodan Store Heddinge and Chairman of Østsjællands Museumsforening
Acting Vice Chairman:
Henning Urban Dam Nielsen, Mayor of Stevns Municipality
BOARD MEMBERS
Ole Vive
Mayor of Faxe Municipality
Michelle Freese
Municipal council member in Faxe Municipality
Julie Hoff Sørensen
Municipal council member in Stevns Municipality
Inger Andersen
Vice Chairman of Østsjællands Museumsforening
Anders Knudsen, employee representative
Curator, Cold War Museum Stevnsfort
MISSION & VISION
Østsjællands Museer's mission is our raison d'être. The museum runs and develops museum activities with a local starting point in a relevant local, national and international perspective.
The museum's activities are based on the natural and cultural history of Stevns and Faxe municipalities, as well as the natural history of Vordingborg, Køge, Solrød and Greve municipalities.
The museum's activities are based on the collection, documentation and preservation of evidence within the museum's core areas: limestone geology, limestone cultural history and the Cold War, as well as the general local nature and recent cultural history in order to preserve natural and cultural heritage and to maintain, create and communicate knowledge.
The museum vision is our goal for the future. The vision was last revised in 2010.
The museum creates wonder and new perspectives on life and history for everyone through research-based stories told vividly and engagingly from authentic locations.
The museum creates, facilitates and maintains knowledge about the distinctive local natural and cultural heritage in a national and international perspective in formalized collaborations with relevant museums and research institutions.
The museum is actively involved in knowledge centers around the museum's three site-specific focus areas:
- The geology of lime
- The Cold War
- The cultural history of lime
The museum is known for the high quality of its work and for working purposefully, innovatively and with enthusiasm.
The museum forms the scientific and educational basis for Stevns Klint as a UNESCO World Heritage Site.
PLANNING WORK
According to the Museums Act (KUAS), state-recognized museums must work with planning and preservation authorities to ensure that significant preservation values are secured for posterity.
Østsjællands Museer carries out inspections during the consultation phase regarding the published plan material, and we can carry out investigation and documentation tasks within our area of responsibility. The purpose is to ensure that significant conservation values are taken into account.
In practice, this means that Østsjællands Museer reads through proposals for local and municipal plan addendums in public consultation - and possibly submits comments.
When buildings worthy of preservation - or buildings covered by a preservation local plan - are to be rebuilt/demolished, Østsjællands Museer performs archival control and inspection if possible. We then submit any objections/opinions.
For earthworks in Stevns and Faxe municipalities, clients can contact museerne.dk.
COLLECTION
This collection and documentation policy forms the framework for the collection and documentation work carried out by Østsjællands Museum within the framework of its museum activities.
The collection and documentation work at Østsjællands Museum is carried out in accordance with the provisions of the Museum Act and in accordance with the guidelines of the Danish Agency for Culture.
The collection and documentation work at Østsjællands Museum is carried out in accordance with ICOM's museum ethics rules.
The purpose, organization and form of Østsjællands Museum's collection and documentation work is specified in the museum's Strategy for safeguarding natural and cultural heritage. Specific initiatives and priorities are defined in the museum's four-year work programs and in project descriptions.
Vision: The museum creates wonder and new perspectives on life and history for everyone through research-based stories told vividly and relevantly based on authentic locations.
The objective of Østsjællands Museum's safeguarding of natural and cultural heritage is to ensure authentic and well-documented natural and cultural heritage for posterity through a research-based creation of representative collections and documentation, which through research and dissemination can develop and contribute significant new knowledge and insight within the museum's areas of responsibility with a view to the museum's task performance as well as to contribute to a relevant national and international safeguarding of natural and cultural heritage.
Østsjællands Museum has identified four special focus areas for its collection and documentation work. The museum's collection and documentation takes place within these four areas.
The focus area "The geology of limestone"
The focus area is based on the fact that within the geographical area of responsibility of East Zealand Museum there are Denmark's largest limestone sites, all of which are of international standing, including Stevns Klint, which is a candidate for UNESCO World Heritage. At the same time, the museum has unique, world-class collections of fossils related to the limestone deposits.
The objectives of the museum's efforts in the focus area are to safeguard, explore and communicate natural heritage through objects and permanent natural heritage in a national and international perspective. Through these efforts, the museum wants to contribute to the public's experience and understanding of the geological deposits and contribute to the public's realization of the origin and mutability of the Earth and life.
The collection within the focus area includes geological materials - and especially fossils - from the museum's area of responsibility. The documentation includes geological structures in the museum's area of responsibility. To a limited extent, a perspective collection and documentation is carried out.
The focus area "The Cold War"
The focus area is based on the fact that Stevns Fort was expanded throughout the Cold War and with its five parts is characteristic of the Danish military defense throughout the period. The museum's geographical area of operation also includes a number of other representative military facilities from the period.
The objectives of the museum's efforts in this focus area are to safeguard, explore and communicate the cultural heritage of the Cold War through authentic objects and cultural environments in a local, regional, national and international perspective. Through these efforts, the museum wants to contribute to the public's experience and understanding of the Cold War's significance for our society and contribute to the public's realization that the Cold War was ubiquitous and affected everyone.
The collection within the focus area includes authentic objects and materials from Stevnsfort and from the military and civilian preparedness in the museum's area of responsibility. The documentation includes especially narrative materials and cultural environments within the museum's area of responsibility or related to the museum's area of responsibility. A limited amount of national and international perspective collection and documentation is carried out.
The focus area "The Cultural History of Lime"
The focus area is justified by the fact that the unique geology of the area of responsibility with large limestone deposits has given rise to a unique cultural history, where the importance of local mining is an exceptionally clear element in local industry, architecture, infrastructure, tourism and coastal history etc.
The objectives of the museum's efforts in the focus area are to safeguard, explore and communicate the cultural history of lime through objects and authentic cultural environments in a local, regional and national perspective. Through this effort, the museum wants to contribute to the public's experience and understanding of the importance of lime quarrying for the local community as a mirror of the national social development in recent times and contribute to the public's insight into, among other things, industrial and building history.
The collection within the focus area includes particularly authentic cultural-historical objects and materials from. The documentation includes especially narrative materials and cultural environments within the museum's area of responsibility or related to the museum's area of responsibility. To a limited extent, regional and national perspective collection and documentation is carried out.
The area "Recent history in a local perspective"
The museum has a collection consisting mainly of cultural-historical objects from the 1700s onwards, with an emphasis on the period 1850-1950 and the geographical area covering the current Stevns and Faxe municipalities. The objects originate from market town, estate, rural and station town environments and consist of tools, household utensils, tools and household goods. The collection is presented by Stevns Museum and Haslev Museum in particular. The museum owns a school building from the 1600s (Rasmus Svendsen's school, Faxe) and the interior of a rented school building from the 1700s (Lille Heddinge Rytterskole).
The aim of the museum's work is to safeguard and communicate the area's local cultural history to a primarily local audience - including schools as a contribution to a local sense of identity.
There is currently only a very limited collection in this area. The documentation within the area is done especially with regard to cultural environments within the museum's area of responsibility.
The collection and documentation at Østsjællands Museum is done in order to supplement the museum's various collection types.
- Natural and cultural heritage collections, which include artifacts and associated documentation materials to safeguard the natural and cultural heritage for posterity within the museum's areas of responsibility.
- Dissemination collections, which include artifacts and other materials for the purpose of dissemination or perspective on the museum's focus areas.
- Research collections, which include geological or other natural history materials used in museum research.
- Documentation collections, which include documentation materials for the purpose of putting the museum's research and communication into perspective.
Used collections, which include artifacts and other materials that are actively used in the museum's conservation or presentation work.
The museum prioritizes research or survey-based active outreach collecting that can ensure the collection of authentic, expressive and communicative objects and documentation materials within the museum's focus areas and special focus areas. In this collection, special emphasis is placed on ensuring that the collection supports the museum's research and communication objectives.
The museum prioritizes research or survey-based collection activities that can contribute to a relevant national or international perspective on the museum's focus areas and contribute to a nationally or internationally significant cultural or nature conservation effort that has a clear research or communication aim. Such activities are initiated in dialog and possibly in collaboration with other relevant specialist museums and authorities.
Before collecting, the museum must explore the possibilities of supplementing or completely replacing the intended collection through its documentation work.
Prior to collection, the scientific and educational value of the objects must be compared with an economic assessment in relation to the expected costs of conservation, preservation and storage for posterity.
Effects and documentation materials may only be received by - or by prior agreement with - the relevant curator at the museum.
Inclusion of items in the museum's natural and cultural heritage collections can only be done with the approval of the museum director.
The museum can only accept anonymously submitted items and materials in special cases.
The museum can only accept items or materials that are subject to clauses in special cases.
When collecting, the museum must ensure that the collected objects have legal access according to Danish law and international conventions on the protection of natural and cultural heritage, and that the provenance of the objects has been obtained in such a way that illegal material is introduced into the collections.
In connection with Østsjællands Museum's collection and documentation of natural heritage, a number of special conditions apply.
When collecting or receiving natural history materials that can be considered Danefæ, these materials are passed on to the Natural History Museum of Denmark in accordance with the provisions of the Museum Act.
In its research-based collection and documentation work within its natural history areas of responsibility, the museum strives to be actively outreach within the declared collection programs. Due to the specific nature and methods of the work area, a targeted active outreach approach to collecting and documentation is difficult.
In its natural history collection, the museum allows a higher degree of passive collecting of materials offered to the museum by individuals or authorities. However, the museum ensures that this collection is essentially within the framework of the museum's stated collection programs.
When passively collecting natural heritage, the museum must further ensure that the collected materials have legal access.
The museum may create temporary collections of natural history materials for research or documentation purposes, which will be discarded after research and documentation is completed.
The documentation and registration work within the natural heritage must be carried out in agreement with the Natural History Museum of Denmark and in accordance with current international standards for documentation of the fixed and movable natural heritage.
In connection with Østsjællands Museum's collection and documentation of cultural heritage, a number of special conditions apply.
Active collecting
The museum bases its new cultural history collecting on clearly formulated and delimited active outreach collecting programs that support the museum's cultural preservation and communication within the museum's declared focus areas. The museum's collection and documentation must, as far as possible, be actively outreach.
Active collecting can consist of actual outreach activities where the museum requests citizens or authorities to hand over specific individual objects or groups of individual objects as well as documentation materials within the museum's stated collection programs.
Active collecting can also consist of requests from citizens or authorities for specific objects or types of objects and documentation materials that support cultural preservation, research and the dissemination of declared collection programs. The museum will typically be offered objects by private individuals or authorities who contact the museum, and the museum will assess whether the individual object is relevant to the museum's collections in relation to the museum's collection programs.
Finally, active collecting can consist of outreach activities in order to identify (earmark) desired objects or documentation materials that the museum wants to document in situ and possibly at a later date wants to include in its collections in order to supplement declared collection programs.
Passive collecting
Passive collecting is defined as the offer by private individuals or authorities to hand over objects or documentation materials without the museum having previously sought out or requested the object in question as part of its stated collection programs.
When offering objects or materials that can be considered passive collecting, the museum will assess on a case-by-case basis whether the materials in question support or add perspective to the museum's stated collecting programs. Such materials will only be included in the museum's collections if they are included in the collection programs.
In special cases, the museum may be offered materials that can be considered so central to cultural preservation, research or communication of the museum's stated focus areas that it may justify the formulation of a new collection program. The formulation of new collection programs can only take place on the recommendation of the curator and with the approval of the museum director.
Exceptions are offers to hand over materials that the museum immediately assesses to be Danefæ or Danekræ, and which the museum must always receive with a view to further transfer to relevant authorities.
The museum wants to reduce the amount of passive collecting in general
The Cold War
Within the museum's focus area and stated collection programs regarding the Cold War, a number of special conditions also apply.
The Museum may receive objects and materials that do not have legal access or that are handed over to the Museum anonymously because they are covered by the property of the State or a third power or by applicable legislation concerning national security. By agreement, the Museum requests the Danish Defence Materiel Service, the Danish Emergency Management Agency or the Danish Defence Intelligence Service to transfer ownership of such effects or materials.
The museum may receive objects or materials that are subject to clauses for reasons of national security, Denmark's relations with foreign powers or Denmark's compliance with international conventions and agreements. Such clauses will typically include an obligation to return the item if it is discarded or a requirement for ongoing supervision. Documentation work in the field of cultural history must be carried out in accordance with the Danish Museum Documentation Standard and in accordance with applicable international standards for documentation of the fixed and movable cultural heritage.
In its safeguarding of natural and cultural heritage, Østsjællands Museum contributes to national and international nature and culture conservation. The museum therefore coordinates the delimitation and formulation of its focus areas and collection programs with relevant Danish and international museums and authorities in order to optimize the museums' professional resource utilization and to counteract double collecting.
In this context, the museum enters into formalized collaborations and partnerships around research, collection, conservation and communication within the relevant focus areas.
These are stated in the museum's work plan and strategy for safeguarding natural and cultural heritage.
This collection and documentation policy has been approved by the director of Østsjællands Museum and was last revised in September 2013.
The collection and documentation policy is revised as needed to reflect current requirements and guidelines at all times. The policy is also revised in accordance with the revision of the museum's strategic planning.
INTERMEDIATION
Communication at Østsjællands Museer is based on the region's natural and cultural heritage and puts it into a national or global perspective. The museum utilizes the authentic cultural environment and nature as the strongest communication framework for the museum's dedicated education.
Oral communication is prioritized in all the museum's exhibitions, and approximately 70% of the 50-60,000 annual museum visitors receive direct oral communication. In recent years, the museum has developed digital services including audio guides and podcasts.
The museum is working to develop a presentation of Stevns Klint that lives up to its status as a world-class geological site and a UNESCO World Heritage Site.
The museum's strong expertise in very different subject areas means an inspiring development forum for inspectors and communicators. The museum's researchers are close to the communication, which makes the path from research to communication short.
The museum is visited annually by between 150-200 school classes and has a number of good basic offers based on authentic locations. The museum's offer for schools is still under development.
The museum's communication focuses on the focus areas of the geology of limestone, the Cold War and the cultural history of limestone.
COLLABORATION
The museum continuously seeks collaboration with relevant partners to ensure professional sustainability and to ensure a coordinated and focused performance of tasks. Through collaboration, a higher impact of the museum's efforts is achieved. The nature of the museum's subject areas means that the natural partners are not neighboring museums. The museum's primary professional partners are:
- Langelands Museum (Cold War Museum Langelandsfort). A formalized cooperation agreement has been signed regarding the performance of tasks, including a qualified division of labor regarding collection, documentation, research and dissemination.
- The Natural History Museum of Denmark and other natural history museums. Collaboration has been formalized in a partnership paper on the handling of museum tasks (i.e. collection management, registration, research and communication)
- The War Museum under the National Museum of Denmark. Østsjællands Museum participates in a research network about the Cold War.
- University of Copenhagen, Department of Geography and Geology. A formalized cooperation agreement has been signed regarding research and dissemination.
- University of Copenhagen, SAXO Institute. A formalized cooperation agreement has been entered into regarding research and dissemination.
- Danish Agency for Culture: Formalized cooperation has been established around the Cold War monuments.
- Geocenter Møns Klint: Østsjællands Museum provides geological assistance.
- Ad hoc collaborations with research and museum institutions at home and abroad.
The long-standing collaboration with Museerne Vordingborg on administrative work, contemporary cultural history and storage tasks continues with the merging Museerne Vordingborg and Køge Museum and is under further development.
The museum is also involved in a wide range of collaborative relationships in areas such as communication projects, school services, conservation, IT and green space management.
The museum has ongoing joint initiatives with local tourism operators on marketing and the development of package solutions. The collaboration is not part of the museum's statutory work, but is part of the museum's marketing efforts and educational profiling.
The museum continuously seeks to enter into new relevant collaborations in order to achieve the highest possible quality in its work with an optimized use of resources.
Østsjællands Museumsforening
Museumsforeningen is an independent association run by volunteers. The association is based in Stevns and Faxe municipalities and aims to support Østsjællands Museer in the form of various events, such as exhibitions, lectures, excursions, etc.
Membership of Østsjællands Museumsforening provides:
- Free access to the exhibition at KALK
- 50% discount on the entrance ticket for 1 guest to the Museum's exhibitions
- Free access to the terrain at FORT
- Free access to guided tours in the Underground at FORT with two paying guests
- Museum Newsletter
- 10% in the museum shops and cafes
- 15% discount on lectures
The discounts cannot be combined with other discount schemes.
Membership fee for Østsjællands Museumsforening
- Personal membership: 200 kr.
- Household membership: 250 kr.
With this membership, the benefits apply to two people from the household. - Corporate membership: DKK 400.
With this membership, the benefits apply to two people from the company.
How to become a member of the museum association
If you want to become a member of Østsjællands Museumsforening or if you have questions about the association, you can write to treasurer Søren Jensen by email: soren.jensen15@gmail.com
The board of directors of Østsjællands Museumsforening:
- Chairman: Martin Steen Andersen
- Vice Chairman: Inger Andersen
- Secretary: Anna-Marie Ulstrup
- Treasurer: Søren Lindehøj Jensen
- Member: Peer B. Höyer
- Member: Ulla Kellermann
- Member: Hans A. Petersen
- Alternate: Anne-Lise Ipsen
STEVNS KLINT AS WORLD HERITAGE
Stevns Klint became a UNESCO World Heritage Site in June 2014 because it contains traces of one of the most important periods in the evolution of life. In Stevns Klint you can see traces of the asteroid impact that hit the Earth and caused global catastrophe and mass death. The drama triggered one of the greatest crises in the history of life, and many life forms went extinct - including dinosaurs.
Stevns Klint is known all over the world, and pieces of the cliff are exhibited in museums abroad. In Denmark, however, the history of the cliff is almost unknown and is often misleadingly compared to the nearby Møns Klint, whose magnificence is due to a completely different story of glacial forces.
The inscription of Stevns Klint on the UNESCO World Heritage List highlights an almost overlooked world-class Danish natural gem.
The most valuable parts of the world's cultural and natural heritage are included on the international World Heritage List. The list includes, among others. The Pyramids, the Great Wall of China and the Grand Canyon.
The World Heritage Commission is administered by the United Nations Educational, Scientific and Cultural Organization, UNESCO. UNESCO has set a number of requirements for World Heritage sites and a special report on geological values is particularly sought after:
- Layer sequences documenting key events in Earth's history
- Physical evidence of meteor impacts and the major changes these have caused, such as mass extinctions
Stevns Klint meets both of these criteria.
In Denmark, the Danish Agency for Culture is the responsible authority for World Heritage and has collaborated with Stevns Municipality and Østsjællands Museum to prepare the application for inscription on the World Heritage List.
An application must not only demonstrate that a site is of 'Outstanding Universal Value', but must also demonstrate adequate protection and accessibility, and communication of the site is an important part of the application.
Stevns Klint holds a key event in Earth's history as it contains the traces of a meteor impact that struck the Earth 66 million years ago, causing global catastrophe and mass extinction. It was two American researchers' samples from Stevns Klint that formed the basis for the theory that a meteor impact caused the great catastrophe and thus the extinction of the dinosaurs. The theory has since been hotly debated and has helped to increase Stevns Klint's international fame.
As the disaster was global, there are locations with the exciting boundary spread all over the Earth. In total, there are around 500 places where the border can be recognized. In Denmark, in addition to Stevns, the boundary is also found in some small localities in North Jutland, where it can only be recognized by specialists. At the other Danish limestone locations, the layers are either older (such as Møns Klint) or younger (such as Faxe Kalkbrud) and therefore do not contain the boundary layer.
That Stevns Klint is truly the best place in the world to see and study this dramatic period in the history of Earth and life has been documented by Østsjællands Museum in a scientific report conducted in collaboration with the Department of Geology and Geography, University of Copenhagen and with support from the Danish Agency for Culture. The report emphasizes that the boundary is easy to see for the untrained eye, that over 150 scientific articles have been written about the cliff and a wide range of other parameters.
In January 2010, Stevns Klint was officially included on the candidate list on the recommendation of the Danish Agency for Culture.
Subsequently, Østsjællands Museum started writing the formal application according to the strict formal requirements of UNESCO, while Stevns Municipality prepared the management plan, which is a mandatory part of the application material.
Involving locals is an essential part of the management plan and this particular work has been exciting and rewarding.
The application to inscribe Stevns Klint on the World Heritage List was signed by Minister of Culture Uffe Elbæk and submitted to UNESCO in Paris in February 2012.
The application has been forwarded to experts from IUCN (International Union for Conservation of Nature) who, after visiting Stevns Klint, will prepare a report for UNESCO. The visit took place September 18-20, 2013.
The World Heritage Committee meets annually and assesses applications. In 2014, Stevns Klint was inscribed on the World Heritage List.